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Jose Margulis

Margulis came of age with the rise of Geometric abstractionism and Kinetic art, influenced early on by his encounters with the works of Venezuelan kinetic artist Jesús Soto and Naum Gabo, the Russian constructivist sculptor, specifically through his exposure to Gabo’s Linear Constructions in Space series, which challenge the construction of volume and space, creating figures with fine threads on a structure. For Margulis, abstraction is the language in which he expects magic to happen, an argot that he masters with ease, where space and its possible construction with the minimum use of materials become one of the playful strategies of his artistic expression.

Margulis’ utmost concern is the creation of geometric shapes conceived mostly by changing the perspective of the viewer accompanied by the philosophical notion that everything in life has multiple levels of narrative, spatial perceptions, as well as varying degrees of empathy and diversity.